Andy Weir is best known for The Martian—which was also a decent movie—and seemingly writing hard sci-fi, a sub-genre that tries to adhere to the laws of physics as closely as possible. As I started Artemis, I thought I was in for another Martian, but it turned out to be completely different, and I’m glad of that. It’s a hard sci-fi caper—a term the protagonist uses in the book, and is quite fitting for the whole thing—that stands on its own as an excellent book. If you haven’t read either, ask yourself, would you rather be stranded on Mars “science-ing the shit out of [things]” or would you rather partake in a caper on the Moon settlement, Artemis. I’d choose Artemis.
Publisher’s Summary
The best-selling author of The Martian returns with an irresistible new near-future thriller – a heist story set on the moon.
Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.
Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself – and that now her only chance at survival lies in a gambit even riskier than the first.
Bringing to life Weir’s brash, whip-smart protagonist is actress Rosario Dawson (Marvel’s The Defenders, Sin City, Death Proof). With the breathless immediacy of one realizing they’re one cracked helmet visor away from oblivion, Dawson deftly captures Jazz’s first-person perspective – all while delivering sarcastic Weir-ian one-liners and cracking wise in the face of death. And with a cast of diverse characters from all walks of life calling Artemis home, Dawson tonally somersaults to voice Kenyan prime ministers, Ukrainian scientists, and Saudi welders. It’s a performance that transports listeners right alongside Jazz, matching her step for step on every lunar inch of her pulse-pounding journey.